Dorothy's Room is an immersive installation originally created in Dorothy Wordsworth’s bedroom at Rydal Mount in Ambleside, Cumbria and inspired by Dorothy’s Rydal Journals in which she was bed-bound relying on memory to transport herself into the landscape she had once walked. Dorothy's Room is a companio to the related Women's Walks to Remember: 'With Memory I was there.'

Women’s Walks to Remember: 'With Memory I was there' is a ‘surrogate’ walking-art project specific to the Lake District that re-walks significant walks of those who are no longer able to walk them. The walk might have been for work, leisure, adventure, health, remembrance, creativity, science, companionship or solitude. The reason that the walk can no longer be done might be due to the effects of ageing, illness, accident or circumstance.

The process of creating Mulliontide (2016) led to a project entitled Harold's Walk: A Walk to Remember.

A new site-specific performance-installation entitled Remembrance: Returning, We Hear The Larks (November 2018). Created in and for Lancaster Priory to mark the centenary of the end of World War One as part of Light Up Lancaster 2018

Mulliontide was a coastal walking-perofmance from Poldhu Cove to Mullion Cove in Cornwall that focused on a much-loved landscape and explores the places where land, sea and people meet. The performance noticed the effects of tide and time, acknowledged deep feelings for place and recognised the challenges of change – personal and topographical.

Mulliontide: A Guide for Walkers, enables others to undertake the coastal walk from Poldhu Cove to Mullion Cove that I created in 2016 in collaboration with residents of Mullion, Cornwall.

Warnscale: A Land Mark Walk Reflecting on In/Fertility and Childlessness is a self guided walk specific to, and created in, Warnscale, an area of fells to the south of Buttermere Lake.

Fissure (20 - 22 May 2011), was a unique walking performance that unfolded over three days in the Yorkshire Dales. It was an extraordinary encounter between artists, scientists, audiences and landscape that explored life, death, grief and renewal.

Ghost Bird (15 & 16 September 2012), was a silent walking-performance and live-art installation specific to the Langden Valley in the Trough of Bowland, an upland landscape internationally important for its heather moorland, blanket bog and rare birds.

Jack Scout (17 - 26 Sept 2010) was a walking-performance specific to Jack Scout, an intimate location in Silverdale, Lancashire, of bewitching beauty and extraordinary aesthetic, cultural and scientific value overlooking the vast sands and tides of Morecambe Bay.

Still Life was an intertidal performance specific to the sands of Morecambe Bay and the shoreline at Far Arnside in Sept 2008 and rev. 2009. It was created and performed by Louise Ann Wilson and Nigel Stewart.

Site-specific research and development project leading to prototype for a set of three artist’s books entitled Pendle, Firbank and Swarthmoor (forthcoming 2019). The books respond to three sites in North West England important to Quaker history.